The London Film Festival line-up was revealed last week, and BFI members across the country have been stroking their chins and eagerly circling their choice selections in the vague hope they might be successful getting tickets for every single one they want to see. This is just an overview of the 10 films I’ve circled with my SPECIAL BIG PEN, plus a few others that piqued my interest. Oh, and I left out We Need To Talk About Kevin because that’s like released a couple of days later, and if you can’t wait that long and want to pay an overpriced festival ticket cost to see it, you’re a mug (so too have I highlighted confirmed release dates where applicable so you can make up your own mind).
In alphabetical odour:
The latest from Yorgos Lanthimos, who last gave us the devastatingly brilliant Dogtooth, promises more unsettling description-defying weirdness.
I love the OSS 117 films primarily because of Jean Dujardin, who successfully manages to pull off hilarious, charismatic and stupid all at the same time. So it tickled me to see him take the Best Actor award at Cannes for his performance in The Artist, probably the most loved film of the festival. Looks damn near perfect.
Yes, it’s bad man Polanski, and yes, it’s just four people talking in a room (as you may expect from its stage origins), but when those four people are Jodie Foster, John C. Reilly, Kate Winslet and Christoph Waltz, expect some thespy sparks to fly. Looks like fun at least.
A Dangerous Method
Cronenberg. Mortensen. Fassbender. Cassel. Okay, so we do have K.K. thrown into the mix, but she can up her game when she wants to. Early word isn’t as thrillingly optimistic as the pedigree would suggest, but it’s still a combination that’s hard to resist (10th Feb)
Hara-Kiri: Death of a Samurai
Experiencing something of a resurgence in international recognition after 13 Assassins (despite still being one of the most prolific directors around today), Takashi Miike’s 3D samurai movie remake features a Ryuichi Sakamoto score and looks like a classy piece of work – even if it’s just filler until we get his Phoenix Wright (!) adaptation.
Into the Abyss: A Tale of Death, A Tale of Life
New Werner Herzog, especially documentarian Herzog, is always something to get excited about, and while this focus on life on death row may seem on the surface like nothing that Louis Theroux hasn’t covered already, you can count on Herzog to provide his own idiosyncratic take on the subject.
Let the Bullets Fly
The highest-grossing film in Chinese history is something of which we should all take notice, being that it is fast becoming one of the most important territories in terms of both film consumers and producers. But beyond that, it looks the business, with guns, gags and Chow Yun-Fat.
Those wishing to go on a Fassbender-bender are in luck with his Venice Film Festival-award winning performance as a sex addict in his new collaboration with Hunger director Steve McQueen. Though Hunger didn’t necessarily bowl me over quite as I expected it to do, I have high hopes for this (13th Jan)
It’s always a gamble. 2007 and 2008 saw No Country For Old Men and The Wrestler, then when I finally bothered in 2009, I got Capitalism: A Love Story. Looking at the release calendar, there aren’t actually a lot of films beyond the LFF I’m desperate to see, but it’s worth a shot just to get overjoyed/angry about.
Michael Shannon does ‘unhinged’ better than anybody at the moment, and the concept (man starts to have visions of an impending disaster) has the potential for some serious hinge AND bracket disruption. (11th Nov)
The Awakening – Dominic West and Rebecca Hall investigate bumps in the night in this period ghost story…The Other Devil’s Backbone? (11th Nov)
Coriolanus – Ralph Fiennes both calls and takes shots as director and star of this contemporary warzone update of Shakespeare’s play with the most Beavis and Butthead-baiting title. (20th Jan)
50/50 – Joseph Gordon-Levitt leads a pretty great cast in what promises to be the most hilarious cancer comedy of the season. (25th Nov)
I Wish (Kiseki) – Hirokazu Kore-eda (best known for Still Walking and Nobody Knows, but Air Doll‘s my favourite) returns with another tale of family matters.
Last Screening – everyone loves a film about cinema, and everyone loves a film about psychos, so mixing the two together, in this French offering about a projectionist cum murderer, should at least be entertaining.
Tales of the Night – it’s the Family Gala, so expect pushy parents forcing their children to go, pretending their kids aren’t into Beyblade or Digimon or whatever’s popular nowadays. But this fairytale anthology piece uses 3D to recreate a beautiful shadow puppet aesthetic, so I’ll let it slide.
This Must Be The Place – Sean Penn goes a bit kooky as a washed-up goth-tinged rock-star on a trip across the States to visit his dying father, plus added David Byrne on co-soundtrack duties.
Wild Bill – of all the smaller Brit-flicks on offer, the combination of Son of Rambow star Will Poulter and Babyface himself Dexter Fletcher writing and directing is an interesting one, even if it’s nothing original.